ArchivesSpace at the University of Iowa

Compiled by Pia Simig. -- Source of annotation: Marvin or Ruth Sackner.

The caption reads, "Racism of the anti-racists, terrorism of the anti-terroists: the 1980's ae the 1930's stood on their head." -- Source of annotation: Marvin or Ruth Sackner.

The poems are constellations to describe the photographs of the two Alpine scenes. -- Source of annotation: Marvin or Ruth Sackner.

The styrofoam objects on the cover have the appearance of two breasts. This second edition of this book object differs from every page ranging from subtle ornamentation, typeface, layout or content. -- Source of annotation: Marvin or Ruth Sackner.

This is a commercial Swiss match box that advertises a night club, 'Hot Lemon.' Finlay has printed in the same typography on the opposite side, 'Blue Lemon.' The poem that substitutes for the address site of "Hot Lemon" reads, Moray Firth Seine Netter - Fruition - Port Letters / Fishing Nos. INS265. -- Source of annotation: Marvin or Ruth Sackner.

This is a commercial Swiss match box that advertises a night club, 'Hot Lemon.' Finlay has printed in the same typography on the opposite side, 'Blue Lemon.' The poem that substitutes for the address site of "Hot Lemon" reads, Moray Firth Seine Netter - Fruition - Port Letters / Fishing Nos. INS265. -- Source of annotation: Marvin or Ruth Sackner.

The Firesign Theatre broadcasted on KPFP FM, Los Angeles from 1970-1971. The group consisted of Philip Austin, Peter Bergman, David Ossman, and Philip Procter. The centerfold page is a mimeographed page from one of the versions of "Zachariah" by Joe Massot for The Firesign Theater. -- Source of annotation: Marvin or Ruth Sackner.

Drawing is a seascape with a sailboat with a single sale known as a ketch. The poem splits the word sketch into s & ketch. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts the five Olympic ring logograph but substitutes their colored lines with the names of fishing ships. -- Source of annotation: Marvin or Ruth Sackner.

At this exhibition, three catalogues were published and enclosed within a single slipcase. The first book that depicts the print, "Marine" on its cover, is apparently a reprinting of a catalogue laid out by Hansjorg Mayer which originated at the Kunsthalle Basel in 1990. It contains an introductory essay by Thomas Kellein. It features reproductions of publications by Finlay's Wild Hawthorn Press as well as photographic views of Stoneypath. The second book that depicts the print, "star steer" on its cover, features Finlay's stone, glass, and neon sculptures. It contains critical essays by Peter Weiermair and Stephen Bann. The third book is a biobibliography in English compiled by Pia Simig. -- Source of annotation: Marvin or Ruth Sackner.

The pages describe the boat with a grid of words that signify colors, e.g., green, brown, black, and ochre. The last page has a grid of the word, patch. -- Source of annotation: Marvin or Ruth Sackner.

Several prints depicted in this catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts representative examples of Calleja's poetry. -- Source of annotation: Marvin or Ruth Sackner.